Originally, I posted the bulk of this as a reply to LOSTHAMMER’s Next-Gen Predictions post on facebook, but the MIGHTY THOR has requested that I ‘reblog’ here, and I am honored to do so. 🙂 As I’ve never posted here or on blogs before, to introduce myself, my name is Chris Tang. Where Thor is well-known for being the Nintendo World Champion, I am the somewhat lesser-known SEGA World Champion, having won their world tour and $25,000+ Championships held at Alcatraz and televised on MTV in 1994. (I was also the Los Angeles NWC Champion, and came in 8th in the grand finals for those wondering). I’m also a 20+ year veteran in the game industry and worked at companies like Atari, Capcom, and BPS along the way, having contributed to games and franchises such as Primal Rage, Street Fighter III, Street Fighter Alpha, Resident Evil, Marvel Vs. Capcom, Transformers, and Tetris. Nice to meet you all!
TV Stole Your Memory
Thor’s post on the next-gen predictions is an amazing read – the most comprehensive article on system specs and capabilities I’ve read thus far, before or after the “Xbox 180” of yesterday, in which Microsoft reversed their draconian DRM and daily check in requirements for the system to function. (Wait, was that really just a day ago?) The only thing I found to be missing, was the issue of the Xbox One’s RAM usage in regards to system overhead. We know the RAM in the PS4 is faster than the Xbox One, but one major issue of concern is that due to Kinect 2 and the fancy-schmancy tuner system, the XBOne’s OS takes up a whopping 3GB of that RAM, leaving 5GB or less for developers to actually run the game on. While I don’t have the exact number for the PS4 – it suffers from no such overhead limitation and thus, is more developer-friendly. Also, the PS4’s DDR5 memory is unified so that it can be used for either graphics or the CPU – a unique ability that can lead to some optimizations and future features – providing a potential performance edge that not even PC games can currently utilize.
The First Year
My prediction is that starting out the gate, Microsoft will be at a slight disadvantage due to the $100 price difference, the publicized difference of specs, and of course – the loss of brand trust due to the whole DRM fiasco. There’s also people’s mistrust and apathy towards the “required” aspect of the Kinect sensor, which is one of the last glaring issues Microsoft has to address to get on more equal footing with Sony. I don’t think the gap will be even remotely as big as it could have been if they kept the anti-consumer policies in place, but they are now at least a contender if they play their cards right.
The Seeds of a Stronger Library Have Already Been Planted
For the future beyond the console’s launch year, if I were to put money on a platform with what I know now, I would still bet on Sony. Here’s why… The seeds have been planted in minds – especially at E3 – that the PS4 is more developer-friendly, and has better specs. If a talented developer has the means to make a game on either or both platforms, they will likely choose PS4 due to those factors and larger userbase resulting from Sony’s lower price point. Add to that, Sony’s embracing of indie developers; giving them the means to self-publish makes makes releasing a game possible on PS4 while it may not be economically viable otherwise. Result: the first generation of indie devs will become more comfortable and friendly with PS4 as their platform of choice. What happens to successful indie developers? They can BECOME successful AAA developers, case in point, Media Molecule – the developers of Ragdoll Kung Fu, Little Big Planet, and the upcoming Tearaway. Unless Microsoft finds, then outright buys, pays, or supports promising indies directly, those up and coming stars of the next-next generation will plan to launch their creativity on PS4, not the Xbox One. As an indie developer myself (despite my lengthy career having started at AAA companies), the choice for the current platform is a no-brainer. A year from now, the developer preference will most greatly affect the indie selection of offerings, but in 3 or 4 years it will begin to affect the main library as the talent blooms, grows, and evolves. Microsoft’s insistence on publisher-publishing and outrageous fees for title updates compound this problem that may compromise their game library’s quality and diversity down the road.
You Need to be the Target Platform
The difference in hardware power may not seem like much on paper, but given what happened last generation where the more-difficult-to-develop-for PS3 often produced inferior versions of the same game despite the potential of the system, it is now more crucial than ever to be the “target platform”. Despite what first party console makers may have you believe, multi-platform games DO matter, and not all versions of a multi-platform game are created equal. The repercussions of not being the target platform can be deadly, as the system that sells less software units can easily become a dumping ground for “bad ports”. As we saw in the last generation, secondary platform SKU’s often suffer from low framerates and much less polish and optimization from those that are the target. Publishers tend to show their best SKU off the most, and sweep their quasimodo ugly version under the rug, only to have those flaws revealed by irate customer reviews upon release. This problem tends to multiply itself as gamers who own both platforms generally buy the better performing version, leading to lower sales for the other; lower potential sales means a lower priority for developers and publishers. With PS4’s better specs, lower price = larger userbase, and more generous development policies, the roles for this generation may be reversed; Sony is in the perfect position to claim primary SKU status for the upcoming console generation. The difference in quality may become more apparent as the systems mature, when higher development costs invoke the “bad ports” phenomenon. At some point it becomes economically unviable to spend the extra resources to make the lesser-selling or more difficult to develop version perform up to standards.
A Winner is You
I am very happy that Microsoft reversed their DRM policies, and I can say with confidence that I will own both platforms eventually. Competition is a good thing, and even though I feel Microsoft is at a disadvantage – and deservedly so for attempting such offensive anti-consumer tactics – I’m glad they survived. Even if the Xbox brand loses in this generation, they now have a chance to come back in the next hardware generation. Sony learned from the mistakes they made when they launched the PS3, and now it is Microsoft’s turn to regroup. This epic battle between brands has been unlike anything seen before in the game industry – or any industry for that matter. We saw the creation of evil, heard the plight of the masses, and saw a champion rise to the cheers of the people. What happened here has taught the industry an important lesson and gives players an unprecedented voice, the likes of which have never been heard. The future is promising, and it is empowering to know that as players and consumers, we can make a difference.
Matt: Hi! I’m a big fan of competitive video games, I’ve been spending some time trying to dig up info about the 1990 championships but everything seems to link to a few sources that have conflicting details. I’m hoping your crew of experts can clear up some things, or point me in the right direction.
Erik: “Will do our best”
Matt : Specifically, I’m confused about this:
“There was no official competition round to crown a single winner. However, after the competition ended there was an informal face-off between the three winners, with Thor Aackerlund taking first place, Jeff Hansen taking second, and Robert Whiteman finishing third.”
Matt: Jeff Hansen went on as America’s representative to Japan to win the World Championship title again in Tokyo, Japan, and again in Las Vegas at a rematch with the Japanese champion, Yuichi Suyama.”
Do you happen to know where I could find information about the Tokyo competition? Everything I’ve been able to dig up points back to that same passage in Wikipedia, which doesn’t cite a source so I’m not even confident the Japan competition existed. If it did, do you have any idea why Jeff Hansen (11 at the time from what I can tell) went to represent?
Thor: “No idea on why Nintendo choose Jeff Hansen.”
Erik: “There was very very little in the media when it was happening, I think Nintendo wanted to control it, and keep it close to the belt, we did not even know about it until well after it had taken place, it was not on the scale of the massively publicised 1990 Nintendo World Championships were.”
Matt: Wikipedia also claims the winner won a car and a TV in addition to the savings bond. The savings bond I’ve found other evidence of, but again no source on the car/tv thing and no mentions of it aside from this wiki article that everything seems to copy. People are fond of citing the time Carmack gave away his Ferrari as the first instance of a car being won in video games, which makes me wonder if that is true also.
Thor: “The winners also recieved a 1990 Geo Metro Convertible, this would predate Carmack giving away his Ferarri. They had a GeoMetro convertible in yellow for all of the contestants to ooh and ahh at, just out side the StarTrek Theater at Universal Studios, A bunch of the contestants at one point decided to lift the car off the ground!”
Erik: “If I remember right the savings bond was for $10,000, which had a pretty low cash value, the TV was a Panasonic 42″ it replaced Thor’s 13″ Color TV of the time. There were some other things the winners got, A Mario trophy, and a Panasonic Boombox. ”
Matt: I know these are weird and specific questions, and appreciate any insight you can give. Hope the gaming blog goes well, I love reading about all kinds of game competition and retro gaming.
Thor: “Thanks for your great questions, keep them coming”
Find out a little bit of what Thor is up to and his recent accomplishment when he met up with Scott Patterson. Thor spent the day with Scott of “Twin Galaxies” fame, multiple world record holder, gaming fan and writer for the Denton Examiner. More after the jump.